• Studio Design : Conçu par Thomas Moisson de Ekleo
• Diffuseurs : Réalisés sur mesure par Quadratik
• Tissus acoustiques : GIK
• Plots acoustiques : Solutions Elastomères

• Enceintes : Lipinski L707 x 2, Lipinski L302, Dynaudio 18S x 2, Adam D3V, Dynaudio BM6
• Convertisseurs : PrismSound ADA8XR
• Systèmes Trinnov : Trinnov D-Mon, Trinnov La Remote, Trinnov 3D Mic
• Interfaces : Lynx AES16, RME HDSPe AES
• Casques : Audio Technica ATH-M50xn, Ultrasone PROline 750, Audeze LCD-X
• Ampli casque : Ruppert Neve Design RNHP

• EQ : Manley Massive Passive, Tube-Tech HLT 2AM, Maselec MEA-2
• Compresseurs : SPL Iron, GML 8900 x 2, Maselec MLA-3, Maselec MPL-2, Tornade ES-Series, Empirical Labs FATSO, Weiss DS1 MKIII
• Préamplis : Vintech Audio Dual 72, RME OctaMic II, Cloud Microphones CloudLifter Z, Palmer PLS-02, Palmer Daccapo,
  Chandler Limited TG2, SSL Pure Drive Quad, D.A.V. S.I.P.P.
• Réverbération : Bricasti M7
• Matrice de commutation : Ghielmetti Blueline x 2, Ghielmetti CSF 1×48 AV x2
• Contrôle : MP Midi MP Controller, Steinberg CC121
• Mobilier : Argosy 50 V-Series, Argosy Rack ’N Roll H10, Argosy Rack 14

• Ordinateurs : Mac Studio M4 64 go de RAM unifiée, Mac Pro Intel x 2, MacBook M2
• Logiciels : Toontrack, Spitefire Audio, Acqua, Black Salt Audio, Celemony, Neural DSP, Scwabe Digital, Cubase Pro, Wavelab Pro, Izotope RX, Izotope Ozone, Fabfilter, Kazrog, Acustica Audio, Baby Audio, DDMF, Eventide, Klevgrand, LiquidSonics, Newfangled Audio, oeksound, Plugin Alliance, Softube, sonible, Sonnox, Sound Radix, Soundtoys, SubMission Audio, Tokyo Dawn Labs, Tone Projects, Universal Audio, Inc., Voxengo, Waves

Neumann U67, Neumann MA-1, AEA R84, SEelectronic VR2, Audio Tecnica AE3000 x 2, Audio Technica AE 2500, AKG D12, Sennheiser MD521, ElectroVoice PR50, Oktava MK012 x 2, Oktava MK319, Beyer Dynamic TG D71, Beyer Dynamic TG D57c x 2, Beyer Dynamic TG D58c x 2, Beyer Dynamic TG I53c x 2, Heil Sound PR30, Shure SM7B, Shure SM57 x 2

• Amplis : Fender Bassman Siverface x 2 (1975 & 1976), Vox AC30 CC1 (HP Celestion Cream Alnico), Supro Back Magick, Mesa Boogie Rectifiers 2×12 (HP Celestion G12-65, Celestion V30 Mesa, Weber Legacy…), Marshall 1936 2×12 (HP Celestion Greenback), Marlboro G20-R, SansAmp PSA-1.1
• Guitares et basse : Fender Jazzmaster 2018 (Kinman Fatmaster neck et bridge), Fender Telecaster 1967, DiPinto Hellion 2003 (Gibson P96 neck et Seymour Duncan Super Distortion 80’s), PRS SE Mick Mushok Bariton (Patrice Blanc pickups Signatory Classic Neck et Bootlegger Bridge), Gibson Les Paul Junior DC, ESP LTD MH-301 « pickups EMG 81 et 85), Fender Precision Bass 1974, Washburn XB-500, Epihpone Short Scale 80’s, Yamaha FG-160, Maurice Dupont « Port Boutiers » 1982
• Synth : Moog SubPhatty, Yamaha DX Reface
• Percussions : Ludwig LM401 14’’ x 5’’, Yamaha Recording Aluminium 14’’ x 6.5’’
• Effets : Ibanez TS9 DX, Fulltone OCD, Acouphonic OZ, Lehle P-Split, Lehle D-Loop, Lehle Mono Volume, Death By Audio Space Bender, Boss GE7, Boss DS1, Boss BF2, Boss TU3, Boss RC5, Boss WL60, MXR Distortion +, MXR Carbon Copy, Game Changer Audio Plasma Pedal, TC Electronic Nova Delay ND1, TC Electronic Mimiq, Fulltone SupaTrem 2, EHX White Finger, Amour Violence Distortion, H&K Tube Rotosphere, EHX Big Muff, Proco RAT x 3, Diezel VH4, Maxon PT999, Eventide H9, Eventide Space, Xotic Effects RC Booster, Origin Effects Cali76, Strymon Timeline, Source Audio EQ2, RJM PBC10, Mission Engineering RJM SP1, Roland EV5, Boss FV50, KM Midi expender, Kenton Thru-5, 1 Spot Pro CS12, Strymon Zuma, Strymon Ojai